Citation

Wonowidjoyo, Megan and Lim, Kok Yoong and Sitharan, Roopesh (2024) Krystof Kieślowski’s Inner World: Exploring Film Editing as Sites of Memory. Quarterly Review of Film and Video, 41 (6). pp. 792-807. ISSN 1050-9208

Text Krystof Kieślowski’s Inner World_ Exploring Film Editing as Sites of Memory.pdf - Published Version Restricted to Repository staff only Download (1MB)

Abstract

The objective of documentaries is to report issues and record truth based on physical, observable, material evidence from the external reality. The three founders of the documentary genre define truth as concerning the external reality: Grierson’s documentaries focus on social problems in society; Flaherty depicts how humans overcome the challenges in his natural environment; Dziga Vertov advocates truth through the camera as the mechanical eye, to capture life objectively. Other movements like direct cinema and cin�ema v�erit�e prefer to use the fly-onthe-wall technique to observe day-to-day life (Aufderheide 2007), with longer takes and less cuts that allude to a factual documentation of the outside world.

Item Type:	Article
Uncontrolled Keywords:	Documentaries
Subjects:	P Language and Literature > PN Literature (General)
Divisions:	Faculty of Creative Multimedia (FCM) Faculty of Cinematic Arts (FCA)
Depositing User:	Ms Nurul Iqtiani Ahmad
Date Deposited:	02 Sep 2024 08:58
Last Modified:	02 Sep 2024 08:58
URII:	http://shdl.mmu.edu.my/id/eprint/12933

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