Citation

Baydoun, Ziad and Tenku Shariman, Tenku Putri Norishah and Mustaffa, Fauzan (2024) Verification and Establishment of Techniques of Ajami Artwork. Arts, 13 (4). p. 113. ISSN 2076-0752

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Abstract

Ajami, a technique of painted wood paneling, was popular in the Ottoman Empire from the 17th to the late 18th centuries. Ajami art became prominent in Syria after the decline of tile production, and it rose to a sophisticated level of art in both local and global markets. Today, however, Ajami art has become almost forgotten and unknown by the modern generation, due to being an exclusive art that can be seen only in palaces, museums, and historical houses. This study investigates the traditional method and techniques of making Ajami, with a focus on the work of a renowned Syrian Ajami art master artisan named Mr. Abdulraouf. The study aims to identify and document the traditional method of Ajami production and determine the materials and techniques used for making Ajami. The study found that Ajami art consists of natural elements that are utilized in four main stages; foundation, design, painting, and finishing. The artisans have a strong preference for floral and geometric designs, influenced by Islamic religious beliefs. The findings of this study could serve as an educational guide to preserve heritage and make it presentable for the present and future generations.

Item Type:	Article
Uncontrolled Keywords:	Ajami art; Ottoman Empire; Syria; painted wood paneling; traditional crafts
Subjects:	N Fine Arts > NX Arts in general
Divisions:	Faculty of Creative Multimedia (FCM)
Depositing User:	Ms Nurul Iqtiani Ahmad
Date Deposited:	08 Oct 2024 00:18
Last Modified:	08 Oct 2024 00:18
URII:	http://shdl.mmu.edu.my/id/eprint/13061

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